HAPPENING AND DOING : -
If one has to become better through riyaz one must appreciate
the difference between happening and doing. When one is practising
any movement it is called doing. The routine aalaps and combinations
of notes are done repeatedly in riyaz. Suddenly something extraordinary
happens and the quality and effect of that particular movement
is far superior to what was being done before. One attempts to
do it again but it cannot be done. This is the moment for which
riyaz is being done. Every such extraordinary happening leaves
a memory trail, much like a trail left by a boat passing in water,
which can be repeated mentally for fifteen to twenty seconds.
Afterwards this memory becomes faint and then it totally disappears.
If one repeats this extraordinary movement mentally immediately
after it happens, it happens more frequently. Gradually it happens
so frequently that one starts getting control of that movement
and then one can bring it into doing. Riyaz is to bring such happenings
into doings. This brings unknown into the known. This is the moment
when the Spirit touches the artist. If the artist fails to grab
this moment of happening he remains mediocre in spite of his or
her riyaz. A great artist is one who is aware of these happenings
and brings them under his control or in doing day by day. He also
remains aware of the immensity of the unknown possibilities and
therefore humble. All great traditions describe the performance
of the enlightened artists by saying that they sing without singing
and play without any instrument. All our endeavours are in the
known. We do riyaz to bring something of the unknown in our repertoire
but very few even venture to comprehend the unknowable. We can
perceive the world through our five senses. There is lot more
to this world beyond these five senses and this is the unknowable.
A master gets in this realm through his riyaz.
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